Here’s part 01
Part 02
Part 03
Part 04
Part 05 at Yer Service
Part 06 – Put Some Green On It
Part 07 – Gettin’ Colorful
Part 08 – Deciding Which Way is Up
Part 09 – Signed the Backs So I Can Remember Which Side Is Up
Part 10 – Isolation Layer Before The Rye Layer (with a little bit of texture and OOMPH)
Part 11 – The Templetoning
Part 12 – The Final Varnishing This Time It’s WAR
I left a large abstract painting with some random dude* at my last job in Iowa before moving to Colorado four years ago. Here’s the painting on his office wall, I believe.
*Please note: Ben Dillon.
Collection of Ben Dillon.
Here’s a wall photo graciously sent to me by the one @jakesutton.
I painted some pank shirt portraits, and the progress photos are over here in “This Jake Sutton Character”.
Collection of Jake and Heather Sutton.
Just grabbed this one from @jakesutton tonight via https://twitter.com/jakesutton/status/289933129215537152/photo/1
This is a drawing from 2008.
Collection of Jake and Heather Sutton.
I started painting a skull amongst all the ongoing abstract madness.
This one involves COLLAGE. Collage pieces are from a House Industries mailer, I believe.
And now here’s the whole gang so far:
Here are some more encaustic paintings and iterations. Four on wood arranged annoyingly and one on plexiglass.
I’m still working on all these. This is a weird medium and I need more practice with the flame-thrower.
I received a certain motivation to start this excellent portrait of Jake Sutton.
Please note: The Sutton family are distinguished patrons, so they get bonus artwork.
I’m gonna need to work a bit on the FACE.
Gonna do a slight pink adjustment and after that: Fuck it, I’m varnishing these and they’re done.
These are very much varnished and done.
I just pulled these out with the intention of painting over them, but upon further inspection I’m not certain what to do with them. Sure it’s impractical to own two gigantic paintings of skull faces, but y’all are rich.
This show is at Pirate in Denver. It’s a juried show, so I have no idea if I’ll get in. But take a look at these old 36″x48″ paintings I need to show more often and ultimately sell for $700 of MONEY.
Employee Knowledge
Satan Eat My Spleen
Goddamn Tornado
Here are some more encaustic paintings and iterations. Two on wood, one on plexiglass.
I’ll probably be working on these for at least a few more class sessions. This is a weird medium.
Some of these are looking like a fine cheese and tomato sauce so far. All delicious.
Checkemitout, here’s my first encaustic painting in progress.
Here’s a snapshot of my painting at tonight’s show at Pirate in Denver:
Here’s an old post of the painting in progress.
Oh weird, here’s a photo of the painting from the local weekly:
Hey, I found a photo of my boards at the actual Bordo Bello show this summer.
Here’s a cropped version of an event photo from Wink Inc & AIGA Colorado:
Yes, I know I painted these on the “wrong” side of the board, but that was because it looked like there was some trouble hanging at the first show I participated in. I see now that they’ve got a solution for that with the wood strips.
It’s important to have a circular pattern in the background of your painting.
A circular pattern which resembles the roundness of purple jalapeño slices, goddamn olive slices, and perhaps some sushi rolls.
I’ve got this weird painting in progress, thanks to a certain noble patron of the arts. Thank you, Noble Patron.
I got my shadow all up into these images.
